11/27/2023 0 Comments Marilyn monroe lip quiver![]() ![]() ![]() ![]() It was sewn on, covered with brilliant crystals,” Life photographer Bill Ray said in 2014. “It was skin-colored, and it was skintight. Kennedy in 1962 was so tight, she had to be sewn into the dress. “Another thing you may not know: Marilyn didn’t take the part in part because Paula Strasberg, her advisor and acting coach, said she should not be playing a lady of the evening.” Capote, author of the 1958 novella, was reportedly very disappointed that the studio went with Hepburn, saying, “ Paramount double-crossed me in every way and cast Audrey.” The nude, crystal-covered gown Monroe wore to sing “Happy Birthday” to John F. “She was Truman Capote’s first choice,” Sam Wasson, author of Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany’s, and the Dawn of the Modern Woman, has said. Monroe was supposed to play Holly Golightly in 1961’s Breakfast at Tiffany’s. While Monroe was filming her final movie, Something’s Got to Give, her stutter returned, making it very difficult for the actress to deliver her lines. Monroe’s signature breathy speaking voice was actually a tactic the actress used to overcome a childhood stutter.Ī speech therapist reportedly trained her to adopt the throaty style, and it ended up becoming one of her standout traits as an actress and singer. In honor of what would have been the legend’s 96th birthday, here, find five things you likely didn’t know about Marilyn Monroe. In her later years, she so overpainted her mouth that it looked like a bloody smear.We’d be hard-pressed to find someone who didn’t know that Marilyn Monroe was born Norma Jeane Mortenson, but there was much more to the screen siren than her well-known stage name-and the radical reinvention she underwent to become one of Hollywood’s most iconic stars. OK, she was a novelist, but she seemed like an actress. Other memorable screen lips of the moment: Julia Roberts and Kim Basinger. The lewd charade of her mouth, painted with a high false lip line, screamed “cheap” as surely as black fishnet stockings and a dangling cigarette. Monroe’s lips might have suggested availability, but it was of a vulnerable sort, not hard or threatening like the scorcher Gloria Grahame, who often played loose women in the 1940s and ‘50s. Just the sight of them made strong men quiver. There was nothing unclear about the carnal signal that her ample lips presented. Barrymore’s counterpart in an earlier era might have been the “It” girl, Clara Bow, with her bee-stung, kewpie-doll lips, which were caricatured in the pen-and-ink form of Betty Boop.īut the most famous movie lips, which always seemed on the verge of trembling, belonged to Marilyn Monroe. Drew Barrymore’s American version of the Paris pout is a vivid example. Today, when movie lips send a mixed signal, it’s likely to be a blend of the tart and the cutie-pie. My nominee for the best-ever lips is Ingrid Bergman, whose plump, soft-cushioned mouth, which bore only the faintest trace of lipstick, made her appear both wholesome and erotic, a powerful and sometimes confusing combination. Hollywood has offered the world decades of memorable lips. The Paris pout can be seen to great advantage on the young Bardot or, more recently, Isabelle Adjani. The fullest lips seem to belong to French women. A few seasons ago, Barbara Hershey had collagen injected into her lips for her role in “Beaches.” She looked great, but then again, when the collagen disappeared and her lips returned to normal, she still looked great. In “The First Wives Club,” Goldie Hawn’s character pursued that solution and wound up looking wonderfully preposterous. Aging lips have made collagen a popular, if expensive and slightly desperate, procedure. They’ve had a lifetime of watching giant lips on movie screens, offering lessons in kissing technique. I, like most everyone else, was launching a never-ending pursuit.Īs the baby boomers march along, their lips are wrinkling a bit and narrowing. ![]() Very few among us, after a first kiss, think: Well, now that I’ve done that, I don’t have to do it again. I can no longer recall her name, but I do remember the sweet fullness of her lips and a heady sensation that made me aware that I was entering the adult world. Holding hands wasn’t enough, and rubbing noses held little appeal.Ī guileless smooch was the most natural act. As naive as we both were (we’re talking the suburbs of the Midwest in the early ‘50s), we still knew just what to do. I may have conveniently forgotten a few abortive lunges, but I certainly recall the first time a girl kissed back. And who could blame them? Everybody remembers their first kiss. The lovers banter about lips for the rest of the scene. Just before Romeo kisses Juliet for the first time, he says, “My lips, two blushing pilgrims, ready stand. ![]()
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